Music

Classes

MUS 100: Convocation

Program
Hours 1
Theory Hours
1
This course (required for music majors/minors each semester) is designed to expose students to a variety of repertory styles and to give students an opportunity to practice individual performance skills. Emphasis is placed on exposure to performance and lectures by guest artists, faculty, or students, and on personal performance(s) in class each semester.

MUS 101: Music Appreciation

Program
Hours 3
Theory Hours
3

This is a survey course that requires no previous musical skills.  The course covers a minimum of three stylistic periods of music, provides a multicultural perspective, and includes both vocal and instrumental genres.  It includes the aesthetic/stylistic characteristics of historical periods and an aural perception of the elements of music. 

MUS 104: Jazz: an Introduction and History

Program
Hours 2
Theory Hours
2
This course provides a study of the origins, development and existing styles of jazz. Topics include the blues, piano styles, Dixieland, swing, bebop, third stream, cool, free jazz and jazz/rock fusion. Upon completion, students should be able to demonstrate a knowledge, understanding and an aural perception of the different style characteristics of jazz music.

MUS 111: Music Theory I

Program
Hours 3
Theory Hours
2

This course introduces the student to the diatonic harmonic practices in the Common Practice Period. Topics include fundamental music materials (rhythm, pitch, scales, intervals, diatonic harmonies) and an introduction to the principles of voice leading and harmonic progression.
 

Co-Requisite Courses

MUS 112: Music Theory II

Program
Hours 3
Theory Hours
2

This course completes the study of diatonic harmonic practices in the Common Practice Period and introduces simple music forms. Topics include principles of voice leading used in three- and four-part triadic harmony and diatonic seventh chords, non-chord tones, cadences, phrases, and periods.

Prerequisite Courses
Co-Requisite Courses

MUS 113: Music Theory Laboratory I

Program
Hours 1

This course provides the practical application of basic music materials through sight singing; melodic, harmonic, and rhythmic dictation; and keyboard harmony. Topics include intervals, simple triads, diatonic stepwise melodies, basic rhythmic patterns in simple and compound meter, and four-part triadic progressions in root position.

Prerequisites

Permission of the instructor

Co-Requisite Courses

MUS 114: Music Theory Laboratory II

Program
Hours 1

This course continues the practical application of diatonic music materials through sight singing; melodic, harmonic, and rhythmic dictation; and keyboard harmony. Topics include intervals, scales, diatonic melodies with triadic arpeggiations, more complex rhythmic patterns in simple and compound meter, and four-part diatonic progressions in all inversions.

Prerequisite Courses
Co-Requisite Courses

MUS 115: Fundamentals of Music

Program
Hours 3
Theory Hours
3

This course is designed to teach the basic fundamentals of music and develop usable musical skills for the classroom teacher. Topics include rhythmic notation, simple and compound meters, pitch notation, correct singing techniques, phrases, keyboard awareness, key signatures, scales, intervals and harmony using I, IV, and V with a chordal instrument. Upon completion, students should be able to sing a song, harmonize a simple tune, demonstrate rhythmic patterns and identify musical concepts through written documentation.

MUS 211: Music Theory III

Program
Hours 3
Theory Hours
2

This course introduces the student to chromatic harmonic principles in the Common Practice Period and beyond. Topics include secondary functions, modulatory techniques, and formal analysis.

Prerequisite Courses
Corequisites

(If ear training laboratory is a separate course, the COREQUISITE for MUS 211 is MUS 213.)

MUS 212: Music Theory IV

Program
Hours 3
Theory Hours
2

This course completes the study of chromatic harmonic principles in the Common Practice Period and beyond. Topics include the Neapolitan and augmented sixth chords, sonata form, late nineteenth-century tonal harmony and contemporary practices and forms.

Prerequisite Courses
Co-Requisite Courses

MUS 213: Music Theory Laboratory III

Program
Hours 1

This course provides the practical application of chromatic music materials through sight singing; melodic, harmonic, and rhythmic dictation; and keyboard harmony. Topics include melodies with simple modulations, complex rhythms in simple and compound meter, and secondary function chords.

Prerequisite Courses
Co-Requisite Courses

MUS 214: Music Theory Laboratory IV

Program
Hours 1

This course provides the practical application of chromatic music materials and simple contemporary practices through sight singing; melodic, harmonic, and rhythmic dictation; and keyboard harmony. Topics include chromatic and atonal melodies; complex rhythmic patterns in simple, compound, and asymmetric meters; chromatic chords and contemporary harmony.

Prerequisite Courses
Co-Requisite Courses